Terry and his family fight against a planned eviction when the council decides on a road building programme and their house is in its path.

In 1998, Elif Çınar, the wife of Rauf Çınar, one of the country's leading economics professors, is stabbed by a burglar named Necip Talan. The lives of these two families from completely different worlds change after that night. Rauf Çınar's daughter Zeynep Çınar loses her only mother that night; Akay Talan loses his father, his only hero. Akay Talan, who became anonymous, nameless, and homeless in one night, today, under the name Kara, has sworn to steal from those who steal from us so that no child will suffer the same fate as him. Zeynep Çınar returns to Istanbul after studying abroad. She continues her love of plants inherited from her mother through the documentaries she makes. The only thing these two people of two different worlds have in common is that night. Whether they like it or not, life will bring them face to face once again, and even the obstacles in front of them will not prevent them from falling in love. But what happens when the truth comes out?

When his criminal father is diagnosed with dementia, a young thief plans a series of reckless heists in order to battle the disease and pay off a dangerous gambling debt.

When two small town waitresses have had it with living an uneventful existence, they take to the Highway to find fun and adventure. It doesn't take long to find trouble instead and a quick change of plans points them towards the border. A chance meeting with a lone hitchhiker changes their plans again and this time they find themselves a day late and dollar short. When it comes to running from the law, you always have to be one step ahead...

A serial killer is on the loose, a frustrated cop is hot on his heels and a pair of young lovers happen to find themselves in midst of it all.

A teenage hitchhiker traverses a lonely mountain highway and begins to pick a mysterious radio broadcast rife with ominous reports of the near future.

This movie is a crime thriller. Suresh Gopi is a Research and Analysis Wing (RAW) officer who comes in disguise to a colony to investigate a bomb blast which killed 30 innocent college students. Bhanupriya falls in love with Suresh Gopi and the rest of the story revolves around how Suresh Gopi solves the case.

Hilary Harris’ nervy tour of Robert Moses’ New York hearkens back to the classic city symphonies of the 1920s but cut to fit the “go go go” energy of the new era. “The most exciting thing in film is movement,” Harris once wrote, and in Highway he shows why, shooting from a moving car for the road itself of its ramps, signs and overall pretzel logic. The film can be enjoyed purely as a riot of graphic forms, but at a deeper level Harris is revising the traditional panorama to capture the automotive experience of urban space. He peppers the expressway view with all manner of camera effects, but it’s finally his simple fascination with the changing shape of the road at speed that makes the screen come alive. Bronze medalist at the Brussels International Experimental Film Festival in 1958, Highway today appears a snappy detour between “On the Road” (published the year before) and the early films of the French New Wave (just around the bend). —Max Goldberg, fandor.com

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

Two brothers embark on a journey in search of a mythical highway in Kentucky, which they believe will lead them to "marijuana nirvana."